Sheila-Na-Gig online Volume 3.2, Winter 2018 is Now Live!

Hello, Friends — Sheila-Na-Gig online Volume 3.2, Winter 2018 is now live! This volume includes work by Winter 2018 Poetry Contest Winner: Kathleen S. Burgess and new contributors: Daisy Bassen, Michelle Brooks, Barbara Caceres, Anna Cates, Gareth Culshaw, George Eklund, Gene Goldfarb, Kari Gunter-Seymour, Jesse Holth, Judy Kronenfeld, Andrew Lafleche, J. C. Mari, Paula Persoleo, Judith Roney, Daniel Ruefman, Katherine Smith, Travis Stephens, john sweet, Alan Walowitz, Kory Wells, and David Xiang. Returning contributors include: Devon Balwit,  Alan Catlin, Gary Glauber, Nels Hanson, Steve Klepetar, Linda Laino, Samantha Malay, Betsy Mars, Caroline Misner, Stan Sanvel Rubin, Emily Strauss, Marc Swan, and Martin Willitts Jr.

The deadline for our spring issue regular and contest submissions is February 1, 2019:

https://sheilanagigblog.com/submissions/

Spring Poetry Contest opens Dec. 1: https://sheilanagigblog.com/contests/

The deadline for our second issue of Sheila Under 30 is January 1: https://sheilanagigblog.com/submissions/

Our Second Annual Full-Manuscript Contest will open January 1. Deadline for submissions is July 1: https://sheilanagigblog.com/sheila-na-gig-editions-second-annual-full-length-poetry-manuscript-contest/

Best wishes for all your creative endeavors during the coming year!

Hayley & Jessica

About Grimmgirl

I co-founded the small press poetry magazine Sheila-Na-Gig in California in 1990. I ran the press for 10 years, producing 14 print copies of the journal. I now hold a Ph.D. in 20th Century American Literature from Ohio University and an MFA in poetry from the University of Washington. I am currently an Associate Professor of English at Ohio University Southern, where I teach courses in composition, American literature, and creative writing. My poetry, creative nonfiction, and critical essays have appeared, or are forthcoming, in The Brock Review, Proteus, Rattle, Spillway, and the critical anthologies, The Body in Medical Culture; On the Literary Nonfiction of Nancy Mairs; and Stephen King’s Contemporary Classics: Reflections on the Modern Master of Horror.

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